satch
06-24-2007, 07:39 AM
We all know how difficult it is to memorize scales.
I think a big part of that is in the beginning of
learning a new scale we cant remember the linear
base pattern so we can reference from it.......
ie...whole whole half ...etc
I have slaved over the fretboard to see an easier way
and i think i have found it!
-----------------
-x----x-----x-------
-x----x------------
-x----x------------
-x----x------------
-R----x-----x-------
1......2......3............(consecutive frets)
All 12 chromatic notes 1 ea. shown in a much tighter
space. Choose any combination of 5-8 of these
and you have created a much easier way to see and memorize
your creation.So 1 or 2 chord shapes could describe
every note you need to find to stay in 1 key structure.
Always using root as low E left note means you know
your reference key name.....ie G or B etc and the patterns
below it are the intervals and ea. shape will be its own
modal scale.
I think a big part of that is in the beginning of
learning a new scale we cant remember the linear
base pattern so we can reference from it.......
ie...whole whole half ...etc
I have slaved over the fretboard to see an easier way
and i think i have found it!
-----------------
-x----x-----x-------
-x----x------------
-x----x------------
-x----x------------
-R----x-----x-------
1......2......3............(consecutive frets)
All 12 chromatic notes 1 ea. shown in a much tighter
space. Choose any combination of 5-8 of these
and you have created a much easier way to see and memorize
your creation.So 1 or 2 chord shapes could describe
every note you need to find to stay in 1 key structure.
Always using root as low E left note means you know
your reference key name.....ie G or B etc and the patterns
below it are the intervals and ea. shape will be its own
modal scale.